Faimoasa cântăreaţă canadiană Céline Dion, în vârsta de 49 de ani, a pozat într-o ipostază senzuală pentru contul oficial de Instagram al revistei Vogue. Fotografia o surprinde pe Céline aşezată pe un scaun, cu genunchii şi braţele acoperindu-şi goliciunea corpului.
Respectiva imagine a fost postată pe contul oficial de Instagram al revistei Vogue, având alăturate cuvintele: ”Să ne gândim la puţină nuditate în timp ce Celine Dion se schimbă pentru spectacole: în ultimii cinci ani a purtat creaţii haute couture exclusiv pentru spectacolele sale (din Las Vegas şi din cadrul mini-turneului său european”.
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Here’s a little naked fact to ponder while Celine Dion changes looks between shows: for the past five years she has worn haute couture near exclusively for her own performances (in Las Vegas and on her current „mini-tour” of Europe). She performs a minimum two hours a night, five or six nights a week, dancing and curtseying and generally gesticulating sans abandon, in handmade, hand-beaded delicacies designed solely to walk a catwalk or a carpet (and often with handlers). For Celine’s orders, the houses send teams to Nevada for typically three fittings, before the garments are ultimately finished in her local, private atelier. Armani Prive, Schiaparelli, Giambattista Valli, Versace…only a partial list. Everyone, basically. In Vegas, Velcro panels are added to allow for her ribcage to expand or for a quick outfit change. Micro straps of elasticized chiffon prevent a slit from becoming a sloppy situation mid-squat. Shoes—always heels, never platforms—are ordered one size smaller (she is normally a 38) and refitted with metal shanks. Says Celine, „We have to make haute couture industrial.” And, more enigmatically: „The clothes follow me; I do not follow the clothes.” Which is to say: the haute couture, with all its fragility and handcraft, has to perform professionally for Ms. Dion. And privately as well. Years ago, Celine bought a classic little black dress from the Christian Dior atelier when the house was overseen by John Galliano. It is simple, falling to mid calf, and narrow as can be with just a hint of stretch. It requires a minimum of jewelry, a statement bracelet or perhaps one of the major diamond rings she designed with her late husband Rene Angelil: two pear cuts set in a wide pave band, or two hearts of diamond and emerald abstractly interlocking, on a cushion of yet more diamonds. This LBD forces you to walk one foot in front of the other. This is a dress Celine knows well and clearly loves, the simplest evocation of the private luxury of couture and the total antithesis of the red carpet hoopla that attends the union of fashion and celebrity. It is also the dress she wore to Rene’s funeral. #CelineTakesCouture Photo by @sophfei.
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”Ea cântă cel puţin câte două ore pe noapte, cinci sau şase zile pe săptămână, dansând reverenţioasă şi gesticulând continuu în veşminte realizate manual, cusute cu mărgele special pentru a defila pe podium sau pe covorul roşu. Pentru comenzile lui Celine, casele de modă trimit echipe în Nevada pentru trei probe, înainte ca veştmintele să fie finisate în cele din urmă de aterlierul de croitorie local, privat. Armani Prive, Schiaparelli, Giambattista Valli, Versace… sunt doar o parte dintr-o lungă listă. Practic, sunt toţi.”
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Celine Dion is frustrated by fashion’s current revolving door policy, the relentless firings and hirings at the top (amen to that!). She is concerned that „the dream” of elegance is disappearing, for as much fun as she had in her beloved Vetements Titanic sweatshirt (and we have Law Roach for that brilliant post-ironic gesture!), she believe in the magic of hats, gloves and total looks, of a world in which Lisa Fonssagrives could step from the pages of Vogue and through the doors of today’s Ritz. Mostly she laments the red carpet hordes with the incessant questions about whose clothes and jewels one is wearing. „Mine” is her answer. Fashion is public for Celine; jewelry is personal. Sometimes, when she is at home in Las Vegas and missing her partner Rene, she slips on a caftan and all her jewels, and quietly retreats to her bath, sans children, sans fans, sans circus. #CelineTakesCouture Photo by @sophfei.
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„What is making the people who are interested in fashion now interested in me when I have always been interested in fashion?” So asks Celine Dion en route to the Christian Dior haute couture show, security guards in tow. She wears a tunic and mid calf skirt, tucked and belted and elevated by thigh high black boots. She has done her own makeup–as is her way–but her precise and dramatic eye contouring is obscured by the massive Dior gold shades selected by her stylist Law Roach (@luxurylaw). („Why did you make me wear makeup if I was going to wear glasses like this?”) Celine began working with Law a little over a year ago, after her husband Rene passed and she began the long road of living again with great loss of a partner („an amazing man”) but also the incredible blessing of „the quality of the time we spent together.” More on that later. For now it is enough to know that while Law may have contributed to the answer to Celine’s original question–why dion mania now?–the answer clearly lies with the lady herself. She keeps a master file divided into mini files of pages torn from magazines. She circles looks from collections special issues, turns down pages, and despairs when a look or accessory is not produced and the sample unbuyable. Celine Dion knows clothes. (She is also at a point in her life where she can enjoy them. Going to a fashion show „gives me a bit of freedom when my life has been work, discipline, hard hard work.”) Today at @dior there was a little work (celebrity gridlock in and out, intense heat which is never ideal with leather) and a lot of fun. Celine admires Ruth Bell’s gamine crop („I really want a haircut like that”), the flatform boots („the strength today!”), a wool coat dress for day with an open assymetric neckline („like a calla lily”), the mousseline peering out from the long belted coats. After she said, „I forgot the jungle, the theme, I don’t care. I am not buying the animals, the trees. But the clothes?” she smiles. „I am already broke.” More on that later, and the significance of one legendary CD to another…. #CelineTakesCouture Photo by @sophfei.
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In the minutes before her show at the AccorHotels Arena at Bercy, Celine Dion is presented with an award by the French division of Sony for her 2016 francophone release Encore un soir. Dion thanks the clutch of executives assembled avec champagne and macaroons in the green room (hell, this is Paris after all) and reminds them quietly that this award means even so much more because the recording was her first without Rene and made during the most raw and difficult of times. Now it is a „diamond,” meaning it has sold over 500k in France. Actually it has sold over 800k, and this is at a time when, hello, NO ONE BUYS RECORDS ANYMORE. Except for people in France who adore Celine, that is, nearly 20k of which are soon singing along—every lyric, every song—to their beloved diva. For a stadium show it is an extremely personal affair—everyone cries!—and never more so than when Dion’s three sons make an appearance, via projection, during her cover of Michael Jackson’s Black or White. Rene-Charles, aged 16, raps the King of Pop’s spoken word bits, and when he is finished the twins, Nelson and Eddy, make a smiling cameo. Her children are not in the business–„I am not that kind of mother”–but they travel with her on tour and share some of her passions. Rene-Charles loves music and shoes („the apple did not fall far from the tree”) and, like her, habitually over-packs. On this tour he has brought 70 pairs of sneakers. The 6-year-old twins Nelson and Eddy love to dress up, as kids do, and recently asked to have their hair cut and styled like James Brown. Yes, that James Brown. Tres difficile! Fun fact: It was Nelson and Eddy’s love of Disney-era Zendaya that made Celine aware of the stylish teen star. She then clocked Z’s picture on the red carpet and in magazines. So she googled „who is Zendaya’s stylist,” as one does, and found Law Roach. Yes, that actually happened. #CelineTakesCouture Photographed by @denisetruscello
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Între timp, cântăreaţa în vârstă de 49 de ani a dezvăluit anterior că i-ar plăcea să-şi facă un tatuaj-omagiu în amintirea regretatului său soţ, care i-a fost şi manager, René Angélil.
Céline a declarat: ”De când a murit soţul meu, aş putea face un tatuaj ca şi cum ar fi bătaia inimii sale. Aş putea avea bătaia inimii sale pe corpul meu pentru tot restul vieţii.”
René Angélil a decedat la vârsta de 73 de ani, în reşedinţa sa din Las Vegas, „după o lungă şi curajoasă luptă împotriva cancerului”, au declarat reprezentanţii acestuia.
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Céline Dion s-a ţinut departe de atenţia presei în ultimii ani, concentrându-se pe îngrijirea soţului şi managerului ei, René Angélil, care a fost diagnosticat cu cancer la nivelul gâtului. Céline Dion şi-a anulat toate concertele pe care le avea programate la Caesars Palace din Las Vegas, în 2014, pentru a fi alături de soţul ei, care trecea în acel moment printr-o etapă foarte dificilă a terapiei. Dar, după ce a fost încurajată de René Angélil să revină pe scenă, diva nord-americană şi-a reluat, anul trecut, acea serie de concerte.
Céline Dion s-a născut pe 30 martie 1968, în Canada, într-o familie cu 14 copii. A cucerit apoi, pe rând, Quebecul, Franţa şi, în cele din urmă, Statele Unite. În cei peste 25 de ani de carieră, Céline Dion a primit numeroase premii muzicale şi a vândut peste 200 de milioane de albume.
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